Africa’s top mobile phone seller Transsion lists in Chinese IPO

Chinese mobile phone and device maker Transsion has listed in an IPO on Shanghai’s STAR Market, a Transsion spokesperson confirmed to TechCrunch. 

Headquartered in Shenzhen, Transsion is a top seller of smartphones in Africa under its Tecno brand. The company has also started to support venture funding of African startups.

Transsion issued 80 million A shares at an opening price of 35.15 yuan (≈ $5.00) to raise 2.8 billion yuan (or ≈ $394 million).

A shares are the common shares issued by mainland Chinese companies and are normally available for purchases only by mainland citizens. 

Transsion’s IPO prospectus is downloadable (in Chinese) and its STAR Market listing application is available on the Shanghai Stock Exchange’s website.

STAR is the Shanghai Stock Exchange’s new Nasdaq-style board for tech stocks that went live in July with some 25 companies going public.

Transsion plans to spend 1.6 billion yuan (or $227 million) of its STAR Market raise on building more phone assembly hubs, and around 430 million yuan ($62 million) on research and development, including a mobile phone R&D center in Shanghai, a company spokesperson said.

To support its African sales network, Transsion maintains a manufacturing facility in Ethiopia. The company recently announced plans to build an industrial park and R&D facility in India for manufacture of phones to Africa.

The IPO comes after Transsion announced its intent to go public and filed its first docs with the Shanghai Stock Exchange in April.

Listing on STAR Market puts Transsion on China’s new exchange — seen as an extension of Beijing’s ambition to become a hub for tech startups to raise public capital. Chinese regulators lowered profitability requirements for the STAR Market, which means pre-profit ventures can list.

Transsion’s IPO comes when the company is actually in the black. The firm generated 22.6 billion yuan ($3.29 billion) in revenue in 2018, up from 20 billion yuan a year earlier. Net profit for the year slid to 654 million yuan, down from 677 million yuan in 2017, according to the firm’s prospectus.

Transsion sold 124 million phones globally in 2018, per company data. In Africa, Transsion holds 54% of the feature phone market — through its brands Tecno, Infinix and Itel — and in smartphone sales is second to Samsung and before Huawei, according to International Data Corporation stats.

Transsion has R&D centers in Nigeria and Kenya and its sales network in Africa includes retail shops in Nigeria, Kenya, Tanzania, Ethiopia and Egypt. The company also attracted attention for being one of the first known device makers to optimize its camera phones for African complexions.

On a 2019 research trip to Addis Ababa, TechCrunch learned the top entry-level Tecno smartphone was the W3, which lists for 3,600 Ethiopian Birr, or roughly $125.

In Africa, Transsion’s ability to build market share and find a sweet spot with consumers on price and features gives it prominence in the continent’s booming tech scene.

Africa already has strong mobile-phone penetration, but continues to undergo a conversion from basic USSD phones, to feature phones, to smartphones.

Smartphone adoption on the continent is low, at 34%, but expected to grow to 67% by 2025, according to GSMA.

This, added to an improving internet profile, is key to Africa’s tech scene. In top markets for VC and startup origination — such as Nigeria, Kenya and South Africa — thousands of ventures are building business models around mobile-based products and digital applications.

If Transsion’s IPO enables higher smartphone conversion on the continent, that could enable more startups and startup opportunities — from fintech to VOD apps.

Another interesting facet to Transsion’s IPO is its potential to create greater influence from China in African tech, in particular as the Shenzhen company moves more definitely toward venture investing.

In August, Transsion-funded Future Hub teamed up with Kenya’s Wapi Capital to source and fund early-stage African fintech startups.

Transsion’s Future Hub and Kenya’s Wapi Capital partner on Africa fund

China’s engagement with African startups has been light compared to China’s deal-making on infrastructure and commodities — further boosted in recent years as Beijing pushes its Belt and Road plan.

Transsion’s IPO is the second event this year — after Chinese owned Opera’s venture spending in Nigeria — to reflect greater Chinese influence and investment in the continent’s digital scene.

So in coming years, China could be less known for building roads and bridges in Africa and more for selling smartphones and providing VC for African startups.

Opera founded startup OPay raises $50M for mobile finance in Nigeria

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Spotify now lets you add podcasts to playlists

Spotify this morning announced a new feature that will allow users to add their podcasts to playlists. With the addition, users can create their own custom playlists of their favorite podcasts, or even those that combine music and audio — similar to Spotify’s own newly-launched “Your Daily Drive.”

With “Your Daily Drive,” Spotify put its personalization engine to work to combine both music and news from select sources. But with the ability to now build your own podcast-filled playlists, you won’t have to rely on Spotify’s curation as much.

Instead, you can build your own podcast playlists by tapping the three-dot menu to the right of the podcast episode and then “Add to playlist.” You can either choose to add it a playlist you’ve already created, or you can build a new one from scratch. You can continue to add more content to this playlist, including music, if you prefer.

The company says this functionality is something users have regularly requested since the integration of podcasts to its streaming music service. However, it’s not necessarily the easiest way to tune into the latest episodes of your favorite programs as it involves manual curation.

Many podcasts release new episodes every week or so — and don’t want to get stuck constantly building playlists for those. Instead, the feature makes more sense for curating a set of podcasts around a theme, or preparing yourself to binge your way through a few programs on a long commute or road trip, for example.

Spotify says today there are over 3 billion user-generated music playlists on its service, so it believes that its users will embrace this new curation ability, as well.

Once a podcast playlist has been created, it can be shared with friends or the public, just like music playlists can be. This could make for an interesting marketing tool for podcasters, who could put together playlists of their best episodes or those with high-profile guest stars, for example, as a way to introduce newcomers to their shows. But it could also serve as a way for friends to recommend their favorite shows to others, by putting together a list of their all-time favorite episodes.

For those interested in tracking news and entertainment, they could build playlists of podcast episodes from different sources all focused on the same topic. For instance, a playlist offering everyone’s reviews of the new iPhone.

Over the past year or so, Spotify has heavily invested in the podcast market, including through acquisitions like Gimlet, Parcast, and Anchor — as well as in its programming, like the deal with Barack and Michelle Obama’s production company, Higher Ground, for instance, and a quickly-growing number of exclusives, windowed-exclusives, and originals. It also hired former Condé Nast president of entertainment Dawn Ostroff to lead its content efforts.

Today, Spotify says it has “hundreds of thousands” of podcasts available to stream on its platform.

The new podcast playlist-building feature is mobile-only for now. On desktop, you can only stream the playlists you made, but can’t build them yet, Spotify says.

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HTC’s new CEO Yves Maitre is coming to Disrupt San Francisco

Earlier this month, HTC co-founder Cher Wang stepped down from her role as CEO. In her place, former Orange EVP Yves Maitre has taken up the reins for the Taipei-based smartphone maker.

One of Maitre’s first acts as the head of HTC will be to join us at Disrupt in October. The interview — and his new role — comes at a tenuous time for HTC. The company has been harder hit than most by several years of stagnant smartphone sales.

In spite of a $1.1 billion deal in 2017 that gave Google access to most of the Taiwanese company’s R&D resources, the following year still saw massive layoffs. All the while, it has looked to emerging technologies like VR and blockchain as a potential way forward in an oversaturated market. In his first public interview, Maitre will discuss how HTC got here and what the company can and will do to help turn the ship around.

Maitre joins an incredible speaker lineup, which includes Steph Curry, Rachel Haurwitz from Caribou Bioscience, Joseph Gordon-Levitt and Zoox’s Aicha Evans. Still need tickets? You can pick those up right here. 

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The Galaxy Fold is now available for purchase in the US

This is, surely, the moment some loyal fans have waited for. And understandably so. The Galaxy Fold is, by all measures, an exciting phone. It’s the sort of bold brashness that has helped Samsung set itself apart from the competition. Many of us laughed at the Galaxy Note, too, and yet here we are, with larger phones across the board.

Five months after originally planned, the Galaxy Fold goes on sale today in the U.S. The handset has had its share of set backs, of course. The first round ran into problems from several reviewers for a variety of reasons. And as I outlined yesterday, I ran into my own issues with the reinforced version of the handset.

My Galaxy Fold display is damaged after a day

Even in its current version, the Galaxy Fold is a fragile thing. That’s something Samsung has been abundantly cautious about disclosing, through a video pleading to “just use a light touch” and a lot of paper work that ships with the device. I’ll be giving more thoughts on my time with the product in an upcoming writeup. In the meantime, however, anyone thinking of plunking down the $2,000 and up needs to factor that into the equation.

But this is a phone, not a faberge egg. It will be interesting to see how wider availability plays out. There is still a sense around the launch that we’re dealing with a sort of wider scale beta phase here. It would be silly to suggest that the foldable category will live or die by this launch, but it will surely be the most closely watched device release in recent memory.

Also out today is the Galaxy Watch Active 2. If been wearing that device around as well. More on that soon, but so far, so good.

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My Galaxy Fold display is damaged after a day

Samsung’s new rebooted Galaxy arrives this week with one job: it just needs to not break. I’d already spent thousands of words breaking down the ins and outs of the product the first time around. This round, on the other hand, was more about making sure everything worked.

Back in April, I was among the reviewers whose device worked perfectly well. I toted the original Fold around the Bay Area without a problem, much to the amusement of curious co-workers. Samsung collected the devices soon after, as it went back to the drawing board due to issues with other units, but mine remained fully in tact.

This time out, however, I wasn’t so lucky. I pulled the Fold from my pocket while standing in line at CVS after work the other day. I opened it up and spotted something new nestled between the lock screen’s flapping butterfly wings. There was a brightly colored, amorphous blob. You can see it there in the photo at the top of the story (as well as a zoomed-in version below). It’s not huge. It’s maybe just under a centimeter across — and it’s a bit tricky to photograph.

In the grand scheme of first-gen foldable display problems, this isn’t a huge one, judging by photos from those who’ve had issues with the first model. In that case, devices were sent back with an entire side blacked out (in many cases the result of peeling back a laminate that resembled the protective layer devices ship with). Still, it’s not a great look after about 27 hours with the device, considering that it wasn’t dropped on concrete, dunked in water or stepped on. And the placement smack dab in the center dampens the effect of a 7.3-inch screen.

If I had to guess, I’d say it was pressing the display to close the device that did it. Samsung has since collected the device and will be taking it apart (likely in Korea) to find out what went wrong. We’ll update accordingly.

We can’t say the company didn’t warn us. As I noted the other day, Samsung issued a video prior to launch, advising users to “Just use a light touch,” B/W the footnote, “Do not apply excessive pressure to it.” The Fold itself came with ample paperwork warning against:

• Excessive pressure
• Placing objects like keys on the screen before folding
• Exposing the Fold to water or dust
• Adding your own screen protector to the existing screen protector
• Keeping the device next to easily deactivated objects like credit cards and implanted medical devices

There was nothing inside the device while folded. I didn’t get it wet or feed it after midnight, and there’s no visible damage to the laminate layer, so I can’t really say definitively what happened here. And while the screen is certainly still usable, I think I’d probably be…irked if I had just paid $2,000 for a handset and had to deal with a large, rainbow colored blob in the exact center of the screen.

Part of the white-glove service Samsung is rolling out here is a $149 screen replacement. We got a comment from Samsung on the matter, and it sounds like this particular issue might fall within normal use that wouldn’t require an additional fee. Here’s what the company has to say on the matter:

We have seen an enthusiastic response to the launch of the Galaxy Fold in several markets over the past few weeks, with thousands of consumers enjoying the unique experience it offers.

The Galaxy Fold is a first-of-its-kind device, made with new materials and technologies that allow it to open and close just like a book.

We encourage Galaxy Fold owners to read the care instructions included in the box and in the product manual available online. Products used within these guidelines are covered under warranty. If they have any questions, Galaxy Fold owners can consult with Samsung product specialists through the Galaxy Fold Premier Service any time, any day.

The “products used within these guidelines are covered under warranty” appears to be the pertinent bit here.

It’s hard to say how widespread these issues are. When the device officially goes on sale in North America on Friday, there will be significantly more of these in the wild, at which point we’ll know more definitively whether this was a very specific anomaly.

Anyone who reviews products for a living knows that these things can happen. I’ve had review headphones that sounded like electrified tin cans, only to swap them with the company for the real deal. Manufacturing defects can occur with review units and commercial products, alike. Generally, such things aren’t cause for concern (and manufacturing issues are usually covered by warranties), but in this case it’s certainly worth highlighting, given the first-gen product’s history with display issues.

We’ll certainly let you know how this shakes out and whether whatever conclusion Samsung ultimately reaches would fall under the warranty of the Fold’s fine print or whether users might want to budget an additional $149, just in case.

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OnePlus 7T arrives with Android 10 in October for $599

For the past few years, OnePlus has happily pushed into a six-month product refresh cycle. It’s a model that’s worked well for the plucky smartphone maker, and another way it’s managed to buck some of the prevailing industry trends as competitors struggle to maintain sales amid a global slowdown.

As tends to be the case, the year’s second flagship seems to mostly be about refining its predecessor — and keeping the company competitive. The OnePlus 7T adopts the 90Hz AMOLED screen offered on the 7 Pro, coupled with a three-camera set up on the rear.

That last bit keeps with the company’s solid design language, with a large, circular configuration that’s an aesthetic improvement over Apple’s square situation. The lenses are a 48 megapixel main, 2x telephoto and ultra-wide-angle with a 117-degree field of view.

The speakers have been upgraded to include Dolby Atmos and fast charging has been amped up, promising a full charge in an hour. That’s nearly 25% faster than OnePlus’s previous version of Warp Charge.

Perhaps most interesting is that the company gets the jump on the competition by being the first to ship with Android 10 preloaded. How far the company has come from the CyanogenMod days. Of course, it continues to offer a customized experience through the “bespoke” OxygenOS.

I’m usually resistant to Android add-ons, but OnePlus has generally done a good job augmenting and, in some cases, improving the stock Android experience. In addition to design choices, the company says the latest version of the software includes “370 rigorous optimizations.”

The best bit continues to be the pricing. The OnePlus 7T will run $599 when it starts shipping on October 18. It’s a nice price for a solid piece of hardware in an era when flagships routinely run in excess of $1,000.

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App Annie acquires analytics firm Libring, bringing ad tech-related insights to its platform

App Annie, a go-to source for mobile app market data and analytics, is expanding its platform with the acquisition of mobile analytics provider Libring. The deal will allow App Annie to present its mobile app market data side by side with advertising analytics data, in order to paint a more complete picture of an app’s performance and revenue.

Already, App Annie customers leverage its platform to track key metrics related to their app’s growth and usage, like downloads, active users, retention numbers, demographics, rankings, reviews, competitive analysis, and more. But the company said it heard from publishers and brands how it’s still difficult to analyze their user acquisition efforts, including their ad spend and related costs.

With the addition of Libring, App Annie is integrating ad tech insights into its platform.

This includes the ability to combine the ad spend and monetization insights from over 325 data sources including Supply Side Platforms (SSPs), Demand Side Platforms (DSPs), app stores, and analytics platforms.

This data is then presented in a single dashboard so it’s easier to understand critical metrics — like the customer acquisition cost, the lifetime value, the return on ad spend, and the return on investment.

It’s ideal for larger organizations who have outgrown the spreadsheet, as it’s been sort of the App Annie of revenue aggregation, so to speak.

“The most successful companies find a way to capitalize on mobile, yet they have been struggling to maximize its value to their business,” explained App Annie CEO Ted Krantz, in a statement about the acquisition. “Today, this requires custom work to stitch together multiple point solutions, spreadsheets, business intelligence teams, agencies, and consultants. We are committed to solving this by applying data science and machine learning to automate these composite metrics for brands and publishers,” he said.

The deal comes at a time when mobile ad spend is continuing to grow rapidly — it’s expected to double to $375 billion globally by 2022, the company noted. It’s now a massive part of the overall app industry, at triple the amount of consumer spending on the app stores.

As a result of the deal, Libring’s 30-plus employees are joining App Annie.

In the near-term, Libring’s current customers will continue to use its product as they do today.

But App Annie tells us there’s only some overlap between the two companies’ respective customer bases. For now, App Annie will work with its customers who want to purchase the new analytics service and find out what sort of enhancements they are looking for in an analytics solution. Libring’s customers can also choose to buy App Annie’s analytics, if they choose.

Later, App Annie will migrate the Libring backend to the same infrastructure provider the rest of App Annie uses, and will then integrate the front-end so customers can log in and visualize the new analytics and other market data together. More information about how this will all work will be shared when those tools are closer to being available, which is still several months from now.

Going forward, App Annie says its data science team will also offer predictive and prescriptive insights based on the new data.

According to Libring’s website, its customers included SEGA, Slickdeals, Reddit, Jam City, Wooga, EA, Zynga, Next Games, Meet Me, GameInsight, Deviant Art, Webedia, Ubisoft, theChive, saambaa, badoo, textnow, and others.

App Annie declined to disclose the deal terms.

Related to the changes and expansion, App Annie also today introduced a new brand which features a gem logomark. The gem is meant to be a tribute to mobile gaming and the idea of “leveling up” while also a reflection of the value of actionable data, the company says.

The acquisition comes on the heels of several notable milestones for App Annie, including the launch of a product development testing ground, App Annie Labs; plus the addition of mobile web analytics in March — the same time when App Annie passed $100 million in annual recurring revenue.

The company is soliciting feedback about its plans for Libring and will post updates about the project on App Annie Labs, it says.

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Verizon lights up 5G in (parts of) NYC

Verizon this week announced that it has finally begun to flip the switch on its 5G network in parts of New York City, along with Panama City and Boise. That brings the wireless carrier’s (disclosure: also TechCrunch’s parent) totally number up to 13 cities with a taste of the next-gen network.

Here in NYC, 5G will touch three of the five boroughs (my home base of Queens, sadly, is not among them). Manhattan and downtown Brooklyn are, not surprisingly, the first focus of coverage. Here’s the specific breakdown per VZW:

• Manhattan: Midtown, Financial District, Harlem, East Harlem, Hell’s Kitchen and Washington Heights
  
• Brooklyn: Downtown Brooklyn
  
• The Bronx: Pelham Bay, Fordham Heights and Hunt’s Point
  
• Around Landmarks: Bryant Park, St. Patrick’s Cathedral, Madison Square Garden, Trinity Park (Brooklyn), the Lincoln Tunnel (Manhattan Entrance), Javits Center on 11th Ave between 36th and 37th and the Theatre District on Broadway between 49th and 52nd
  

The network is similarly limited to specific neighborhoods in Panama City and Boise, as well. AT&T rolled out its own limited 5G coverage in the Big Apple back in August. I’ve been carrying around a 5G AT&T phone for a few days now and it brings to mind the early days of LTE. The 5G marker pops up on the phone for a fleeting bit in the most surprising places.

Until rollout is wider, however, it’s probably not worth the extra money for most folks. Verizon says it plans to have the service in (parts of) 30 cities by end of year.

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Facebook secures exclusive digital rights for ICC cricket events

If you’re a cricket fan, you will be visiting Facebook way more often in the coming months and years. The social juggernaut announced on Thursday it has partnered with the International Cricket Council (ICC), the global governing body of cricket, to secure exclusive digital content rights until 2023 for global ICC events in the Indian subcontinent.

As part of the four-year deal, financial details of which were not disclosed, Facebook will show post-match recaps and in-play key moments and other “feature content” of the matches in the Indian subcontinent. The exclusive rights are limited to the Indian subcontinent; elsewhere the company will carry post-match recaps. Facebook said it hopes to serve “hundreds of millions of cricket fans” through this “unprecedented” and “ground-breaking” deal.

A Facebook spokesperson told TechCrunch that the company won’t be live-streaming the matches in any market.

In a statement, Ajit Mohan, VP and managing director Facebook India, said, “with Facebook, Instagram and WhatsApp, the ICC has an exceptional opportunity to leverage our family of apps to serve current sports fans as well as bring in an entirely new generation of fans. Every day, people come to our platforms to talk about, and form friendships around, cricket. With this partnership, we will be able to serve these fans with the kind of premium content that can ignite new conversations, new connections and new followership.”

Though not as popular in the U.S., cricket is one of the most celebrated sporting events in many key Facebook markets, including the U.K., India and Australia. How popular? Hotstar, a streaming service in India owned by Disney, has set global record for most concurrent views on a live-streaming event thanks to cricket.

Cricket World Cup highlights just how big video streaming is in India

Facebook is well aware. In 2017, the company bid $600 million for online streaming rights of IPL, a popular cricket tournament in India, for a period of five years. It lost the bid to Star India, which operates Hotstar. Last year, the company tested the waters after it acquired streaming rights to show La Liga games in India.

The recently concluded ICC Men’s Cricket World Cup garnered 4.6 billion video views across ICC’s digital and social media platforms, ICC said.

Today’s deal includes coverage of the following events: ICC Women’s T20 World Cup 2020, ICC Men’s T20 World Cup 2020, ICC Women’s Cricket World Cup 2021, ICC World Test Championship Final 2021, ICC Men’s T20 World Cup 2021, ICC Women’s T20 World Cup 2022, ICC Men’s Cricket World Cup 2023, ICC World Test Championship Final 2023, ICC Men’s T20 World Cup Qualifier 2019, ICC Men’s Cricket World Cup Qualifier 2022, ICC U19 Cricket World Cup 2020 and ICC U19 Cricket World Cup 2022.

Last year, Star India acquired digital and TV rights to live-stream and broadcast all of Indian cricket teams’ matches globally for a sum of $944 million.

Facebook’s Mohan, who served as the chief executive of Hotstar prior to joining the social juggernaut, added, “the future of AR and VR is being charted by Facebook and we are excited about the possibility of bringing the best of our innovations to fans around the world.”

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Indonesia’s ride-hailing giant Gojek launches video streaming service GoPlay

On-demand video streaming giant Netflix, which is increasingly expanding its footprint in developing markets, now has a new competitor in Indonesia: Gojek.

The Indonesian ride-hailing giant on Thursday launched a video streaming service called GoPlay that features exclusive access to “hundreds of movies and TV shows” as well as snackable short clips. The streaming service is currently available only in Indonesia.

The service, which Gojek began testing with select users in June, focuses on local content, Edy Sulistyo, CEO of GoPlay said. Gojek, which was valued at $9.5 billion in its last financing round, said it has partnered with major local production houses such as Base Entertainment, Kalyana Shira Films and Wahana Kreator for production of original titles. The firm said it has also tied up with some international studios to source foreign content.

“Despite a rise in demand for local content and a growing number of mobile audiences in Indonesia, access has still been limited especially for consumers living outside of urban areas. With GoPlay, we aim to enable all Indonesian consumers to enjoy high-quality on-demand entertainment at their convenience, while providing a platform for local content producers to showcase their creative work,” said Sulistyo in a statement.

Gojek is offering the video streaming service through two aggressively priced monthly plans: IDR 89,000 ($6.27), which offers access to the full catalog in HD; and IDR 99,000 ($7), which will additionally provide users with access to GoFood delivery vouchers.

GoPlay will compete with a range of streaming services such as Netflix, iFlix and Hooq. Netflix last year began testing a low-cost mobile-only plan in some developing markets, including Indonesia, to boost its presence in those nations. The global giant eventually launched the affordable tier in India earlier this year. A Netflix spokesperson told TechCrunch this week that it currently has no plans to expand the low-cost tier to other markets.

Like many other major firms in Southeast Asia, Gojek is increasingly bulking up its ridesharing platform to enter additional categories. Today, it offers an online payments service and a gaming platform. The firm began working on its video streaming service last year after it set up an in-house content studio.

Grab, Gojek’s archrival in Southeast Asian markets, and India’s Ola, have also expanded their offerings in recent years. While Grab, like Gojek, offers everything including a video streaming service, Ola launched a credit card in May.

Grab has a partnership with Hooq for its video streaming service. In the run up to GoPlay’s launch, Hooq CEO Peter Bithos told TechCrunch in an interview that Gojek lacks the reach Hooq maintains in Southeast Asian markets. “Gojek hasn’t been able to get to anything like the scale or reach that we’ve got,” he said.

About 125 million people in Indonesia, or half of the nation’s population, are currently online. Sulistyo said Gojek sees a lot of potential for GoPlay’s growth in the country.

Indonesia has emerged as one of the fastest-growing economies in Asia in recent years. According to a study conducted by Google and Singapore’s Temasek, Indonesia’s internet economy is estimated to be worth $100 billion by 2025.

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Nintendo’s ‘Mario Kart Tour’ is out now for iPhone, iPad and Android

Mario Kart Tour, Nintendo’s latest mobile game, is now available on iOS for iPhone, iPad and iPod touch, as well as on Android devices. The game, like Nintendo’s other mobile releases, is free to play, with in-app purchases (in-game currency called “rubies”) that you use for upgrades and unlocks.

Players immediately unlock one rider and get a tutorial to start, which introduces them to the Mario Kart Tour driving mechanics, which are slightly different than the ones you’re probably used to if you’ve played Mario Kart games for Nintendo’s various consoles. Specifically, your kart will always be moving forward, so there’s no acceleration to press; instead, you slide your finger side to side on the screen to steer left and right, with a tap firing off any items or weapons you might pick up.

High scores earn you points that can be redeemed for in-game unlocks, and the game also features other new mechanics, like “frenzy mode,” which gives you a timed period of unlimited item use whenever you pick up three of the same. Special challenges are also new in this mobile iteration, which introduce new ways to win instead of just placing first in a race with other kart drivers. Mario Kart Tour also features online ranking with other mobile players worldwide.

The “Tour” component of the game is also a new twist: Nintendo is mixing courses inspired by real-world cities in with levels that are taken from classic Mario Kart games, and these will be cycling every two weeks for a fresh global tour on a regular basis. In-game characters will also get costume variants that are inspired by these globe-trotting destinations.

Based on Nintendo’s track record, Mario Kart Tour should be perfectly playable without any in-game purchases, but players may feel that they hit a progression wall pretty quickly without picking up some currency. It’ll be interesting to see how this one fares, given that Apple has just introduced its own Arcade subscription service focused on games that eschew in-app purchase mechanics — including cart racer Sonic Racing, which looks very much like it was once intended to offer similar in-app mechanics before Arcade came along.

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India’s ALTBalaji partners with Microsoft to bring online video streaming to offline users

ALTBalaji, a leading video streaming service in India, has partnered with Microsoft and fintech firm Eko as it moves to expand its subscriber base in the country that is already larger than any of its local rivals.

ALTBalaji, which has more than 27 million paying subscribers, said it will use Microsoft’s BlendNet technology to help its users download and access more titles without consuming large amounts of cellular data.

Microsoft is providing ALTBalaji with BlendNet technology that enables videos to be disseminated through a combination of cloud-enabled metadata systems. “The file is transferred onto the recipient’s mobile using peer-to-peer local Wi-Fi. While the creation of this cloud plane might need a data network, the transfer of data will happen over local Wi-Fi,” Microsoft said.

The idea is to move much of the downloading without relying on cellular data connectivity, which remains costly for the masses in India. ALTBalaji subscribers will be able to download files from their nearby Eko retail stores, as well as from other users who have the same files. When neither options are viable, the downloading is paused.

Nachiket Pantvaidya, CEO of ALTBalaji and Group COO of Balaji Telefilms, said he hopes the new feature would help the video streaming service attract new users who don’t have access to cheap and reliable data. He said the firm also expects the feature to boost engagement for other subscribers on the platform who’re watching two to three episodes on the app each day.

“At ALTBalaji it has always been our endeavor to reach out to the masses and enhance our users’ experience through such services, while being affordable. And through this pilot feature, we aim to attract more viewers to our platform from areas with not so good internet connectivity,” said Pantvaidya.

In a statement, Meetul Patel, COO of Microsoft India, said, “Microsoft’s BlendNet is a great example of advanced technologies being used to make information and content accessible to all. It leverages the power of the cloud and intelligent edge networks to address gaps in connectivity and reduces the costs of content distribution.”

ALTBalaji, a wholly owned subsidiary of Balaji Telefilms, has more paying subscribers in India than any other video streaming service in the nation, Pantvaidya told TechCrunch in a recent interview. The service is available for Rs 100 ($1.40) for three months, or comes bundled with offerings from telecom providers.

Unlike most other streaming services, ALTBalaji only serves originally produced locally relevant content on its platform. It has made 45 original TV shows to date. Each year, the firm invests about 1,500 million Indian rupees ($21 million) in production of original shows, Pantvaidya said.

The firm, which employs about 100 people, today fights with more than three dozen companies, including Netflix, Amazon Prime Video and Disney-owned Hotstar. Even as Hotstar claimed to have more than 300 million users earlier this year, it has fewer than 10 million paying subscribers, people familiar with the matter have told TechCrunch.

Netflix has fewer than 3 million subscribers in India, according to industry estimates. It recently launched an aggressively priced mobile-only plan in the country. A person familiar with the matter told TechCrunch that the new price tier has attracted a significant number of new subscribers to Netflix.

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Facebook promises not to stop politicians’ lies & hate

Facebook confirms it won’t fact check politicians’ speech or block their content if it’s newsworthy even if it violates the site’s hate-speech rules or other policies. This cementing of its policy comes from Facebook’s head of global policy and communication Nick Clegg, who gave a speech today about Facebook’s plans to prevent interference in the 2020 presidential election.

But by seeking neutrality, Facebook may become complicit in the misinformation and malevolence some politicians will use it to spread. It leaves users to fend for themselves as they try to discern fact from fiction and opinion from reality. Clegg claims the idea is for users to “judge what politicians say themselves.”

Isn’t that disgorgement of responsibility already what Facebook was doing by merely routing false news links to fact checkers and affixing their verdicts to shares of the content while still leaving it up on the site? To now say politicians can’t be fact-checked directly at all sets a critical and questionable precedent.

Facebook’s head of global policy and communications, Nick Clegg

“We don’t believe, however, that it’s an appropriate role for us to referee political debates and prevent a politician’s speech from reaching its audience and being subject to public debate and scrutiny,” writes Clegg, the former deputy Prime Minister of the U.K. “That’s why Facebook exempts politicians from our third-party fact-checking program …This means that we will not send organic content or ads from politicians to our third-party fact-checking partners for review.”

Yes, it prevents direct censorship of politicians and leaves critique to the media. Yet it also ignores how Facebook turns any voice into a publication, amplified by engagement-seeking algorithms distributed to billions of people. Users often treat Facebook as the internet and what they see on the internet as true.

Facebook doesn’t want false news distorting voters’ decisions ahead of the 2020 elections. However, the year-old “no fact-checks” rule and three-year-old “protected newsworthy speech” rule effectively elevate whatever comes out of a politicians mouth as above consequence.

If they share a debunked link, that can be labeled as wrong and demoted, but what they say is free to proliferate and confuse people. Not even a politician’s ads are subject to fact check, so you can spread whatever lies you want on Facebook as long as you’re rich enough and running for office. Facebook only draws the line at allowing content from politicians that would cause real-world harm, or running politicians’ ads that violate its policies.

This is certainly easier operationally for Facebook. It doesn’t have to be responsible for paying in-house staff or outside fact checkers to assess politicians’ diatribes. And it won’t as often end up in the cross-hairs of elected officials claiming Facebook is biased against them.

Some could see the benefit of these rules being that Facebook could never directly censor a politician unless they directly threatened people. If speaking for themselves from their own accounts, they get what’s close to free speech.

But it ignores how politics has evolved in the post-truth era. Rather than win with facts, it’s easier just to shout lies or insults loud and frequently enough that they’re accepted at face value, rebroadcast and culturally ingrained. Sensationalism spreads further than what’s level-headed. The fact check never gets as many shares as the incendiary claim. And those with a bully pulpit can keep an iron grip on their megaphone.

Facebook may not want to be the arbiter of truth, or even be considered “media,” but it transmits falsity without question; it’s not a platform, it’s a pawn.

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Meme editor Kapwing grows 10X, raises $11M

Kapwing is a laymen’s Adobe Creative Suite built for what people actually do on the internet: make memes and remix media. Need to resize a video? Add text or subtitles to a video? Trim or crop or loop or frame or rotate or soundtrack or… then you need Kapwing. The free web and mobile tool is built for everyone, not just designers. No software download or tutorials to slog through. Just efficient creativity.

In a year since coming out of stealth with 100,000 users, Kapwing has grown 10X, to more than 1 million. Now it going pro, building out its $20/month collaboration tools for social media managers and scrappy teams. But it won’t forget its roots with teens, so it has dropped its pay-$6-to-remove-watermarks tier while keeping its core features free.

Eager to capitalize on the meme and mobile content business, CRV has just led an $11 million Series A round for Kapwing. It’s joined by follow-on cash from Village Global, Sinai and Shasta Ventures, plus new investors Jane VC, Harry Stebbings, Vector and the Xoogler Syndicate. CRV partners “the venture twins” Justine and Olivia Moore actually met Kapwing co-founder and CEO Julia Enthoven while they all worked at The Stanford Daily newspaper in 2012.

Need to edit a meme or video? Kapwing has all the resizing, GIF, & subtitle tools you need https://t.co/FXDjShlUTq pic.twitter.com/1fEHxGoboz

— Josh Constine (@JoshConstine) September 24, 2019

“As a team, we love memes. We talk about internet fads almost every day at lunch and pay close attention to digital media trends,” says Enthoven, who started the company with fellow Googler Eric Lu. “One of our cultural tenets is to respect the importance of design, art and culture in the world, and another one is to not take ourselves too seriously.” But it is taking on serious clients.

As Kapwing’s toolset has grown, it has seen paying customers coming from Amazon, Sony, Netflix and Spotify. Now only 13% of what’s made with it are traditional text-plus-media memes. “Kapwing will always be designed for creators first: the students, artists, influencers, entrepreneurs, etc. who define and spread culture,” says Enthoven. “But we make money from the creative professionals, marketers, media teams and office workers who need to create content for work.”

That’s why in addition to plenty of templates for employing the latest trending memes, Kapwing now helps Pro subscribers with permanent hosting, saving throughout the creation process and re-editing after export. Eventually it plans to sell enterprise licenses to let whole companies use Kapwing.

Copycats are trying to chip away at its business, but Kapwing will use its new funding to keep up a breakneck pace of development. Pronounced “Ka-Pwing,” like a bullet ricochet, it’s trying to stay ahead of Imgflip, ILoveIMG, Imgur’s on-site tool and more robust apps like Canva.

If you’ve ever been stuck with a landscape video that won’t fit in an Instagram Story, a bunch of clips you want to stitch together or the need to subtitle something for accessibility, you’ll know the frustration of lacking a purpose-built tool. And if you’re on mobile, there are even fewer options. Unlike some software suites you have to install on a desktop, Kapwing works right from a browser.

” ‘Memes’ is such a broad category of media nowadays. It could refer to a compilation like the political singalong videos, animations like Shooting Star memes or a change in music like the AOC Dancing memes,” Enthoven explains. “Although they used to be edgy, memes have become more mainstream … Memes popularized new types of multimedia formats and made raw, authentic footage more acceptable on social media.”

As communication continues to shift from text to visual media, design can’t only be the domain of designers. Kapwing empowers anyone to storytell and entertain, whether out of whimsy or professional necessity. If big-name creative software from Adobe or Apple don’t simplify and offer easy paths through common use cases, they’ll see themselves usurped by the tools of the people.

Kapwing is Adobe for the meme generation

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